News
- 16/5/12 Met with the lovely Ben Kelly to discuss the String arrangements I’m working on for his new song – Home. In other news, saw Wagner’s The Flying Dutchman at ENO and finished a demo cue for Rahul who starts work on a feature length Sci-Fi in India later this year – stay tuned.
- 17/4/12 On IMDB, finally.
- 8/3/12 Sent a new piece, “Sanctus” off to the National Centre for Early Music
- 22/2/12 Thomas Ades was flawless tonight at the Lincoln Centre!
- 21/1/12 Finally found my love for Schumann in his Piano Quartet in Eflat
- 9/1/12 I’ve been accepted by Trinity Laban Conservatoire of Music and Dance to study for a Masters of Music!
- 8/1/12 Moving to New York for a few months!
- 20/12/11 Premiere of The Lunch in Barcelona was a great success!
- 17/10/11 Off to see Feist at the London Palladium – very interested indeed
- 10/10/11 Filming commences on Benj Scrimgeour’s “The Lunch” – to Barcelona
- 22/9/11 Saw Warhorse again – Adrian Sutton’s Score is fantastic, even better the second time round
- 20/9/11 The Tempest was great, classic Trevor Nunn production
- 16/9/11 Off to the English National Opera to see a dress rehearsal of Weinberg’s “The Passenger” – absolutely brilliant
- 8/9/11 Off to King’s Place for a Julian Anderson focused concert
- 7/9/11 Off to BBC Proms – UK Premiere of Birtwistle’s Violin Concerto!
- 3/9/11 South bank event – The Sound of Horror – pretty slow start but great performance by Alan Howarth and insightful panel discussion in the second part
- 30/8/11 “The Lunch” New Short Film by Benjamin Scrimgeour, Music by Josh Spear – filming begins in October in Barcelona
- 28/8/11 Got Pro Tools LE8 finally!
- 16/8/11 Opera Viscera at Grimebourne in Dalston, East London August 2011
- July 2011 Opera Viscera at OPEN Ealing
- 21/7/11-24/7/11 Opera Viscera hits the Secret Garden Party. Photos available of new Opera by Tom Coult, Hannah Taylor, Jasmin Rodgman and Rachel Jackson. Rehearsals were held in London at OPEN Ealing.
- June-July 2011 Faber Media Music Academy - over the summer I attended a Film scoring course at Faber Music. Phillip Sheppard led it and guests such as Hilary Skewes, Stephen Warbeck and Chris Smith also made an appearance. The experience culminated with a recording session at the Royal Academy of Music where my cue for “The Miracle of Apollo” was performed.